Oliver Krebs - Golden Record | 60x80 cm | 2014

apa – Annual Photography Awards 2019

apa – Annual Photography Awards 2019

A selection of images from Signal & Noise was awarded an Honorable Mention in the category Street at the 2019 apa.

 

Eine Auswahl an Bilder von Signal & Rauschen wurde beim 2019 apa mit einer Honorable Mention ausgezeichnet.

 

 


Neutral Density Photography Awards 2019

Neutral Density Photography Awards 2019

A selection of images from Signal & Noise was awarded an Honorable Mention in the category Open Theme at the ND Awards 2019.

 

Eine Auswah aus dem Buch Signal & Rauchen ist beim ND Awards 2019 in der Kategorie Open Theme mit einer „Honorable Mention“ ausgezeichnet worden.

 

 


Oliver Krebs - Signal & Noise | 80x90 cm | 2015

Chromatic Awards 2019

Chromatic Awards 2019

Signal & Noise was awarded an Honorable Mention in the category Professional | Street photography at the Chromatic Awards 2019.

 

Signal & Rauschen wurde beim ChromatiChromatic Awards 2019 in der Kategorie Professional | Street mit einer Honorable Mention ausgezeichnet.

 


Oliver Krebs - Signal & Noise | ohne Titel | 40 x 60 cm | 2016

Encontros da Imagem 2019

Encontros da Imagem 2019

Discovery Awards 2019 is showing a selction from the book Signal & Noise From the 13th to the 15th of September, 2019, Braga, Portugal

 

 

What Now?

We are living through times of great violence, violence between people and violence between people and nature. As a society, we have forgotten what history has taught us –  that violence only brings more violence. We are living through times of fractured opinions, where these destroy entire families, communities, and countries. Times of censored discourses and of the politically correct. Times where we are constantly being bombarded with contradictory information which makes us live in fear and in a state of constant vigilance. This fear also makes us feel as if our bodies suddenly lost their power to keep us safe. Most of us feel at home when we are allowed to speak our own language, but thousands have been forced to flee their homes and live in countries where no one speaks their language and where their basic human rights are being neglected. We are scared, so we have become egocentric and resort to violence, we put up walls and we create borders be they physical or mental. The time has come where we have to decide as a society if we will move forward with tolerance, defending human rights and thinking about our planet as our final refuge. Will it be against racism, xenofobia, gender inequality or any other kind of intolerance ? Or will we continue living with these traumas and see where they lead us? Encontros da Imagem – International Photography and Visual Arts Festivals in its 29th edition through contemporary photography, want’s to bring together different ideas and ways of seeing our present world in an effort to open up discussion around these subjects. Subjects which are relevant but so fractured, and thus help rethink and reimagine our future!


Book Cover Signal & Noise

ipa - International Photography Awards 2019

ipa – International Photography Awards 2019

The book Signal & Noise, published by Kehrer Verlag Heidelberg, was awarded an Honorable Mention in the category Fine Art Books at the ipa – International Photography Awards 2019.

Veröffentlicht im | published by Kehrer Verlag Heidelberg
Herausgegeben von  | Edited by Andreas Greulich
Text von |  by Oliver Krebs, Andreas Greulich
Mit Zitaten von | With quotes by Charles Darwin, Sir Humphry Davy, Michael Faraday, Alexander von Humboldt, James Clerk Maxwell
Gestaltet von| Designed by Kehrer Design

Halbleinenband | Half-cloth hardcover ca. 24 x 22 cm, ca. 96 Seiten | pages ca.70 Farbabbildungen | color illustration

DEUTSCH | ENGLISCH
ISBN 978-3-86828-883-4
Oktober | October 2018


STREET / FORM

 

STREET / FORM

Opening 9th of September, from 09 to 15 September 2019 Hilledijk 105B, Rotterdam, the Netherlands

STREET / FORM investigates photography’s relationship with the urban landscape and street culture.

The juxtaposition of shape and form, the encounters with the unknown, the intimacy with strangers. 70 photographers from around the world find inspiration in the street.

Shutter Hub have teamed up with one of the most exciting street art festivals in the world, and have curated an exhibition of photography for POW! WOW! Rotterdam – Europe’s leading street art festival, this Autumn.

POW! WOW! is the best known street art festival in the world. It started in the outskirts of Hawaii, transforming a grey suburb into a beloved open air gallery. After several successful editions on the island, the festival spread to locations in Los Angeles, Taiwan, Hong Kong and Japan. In 2018, its very first European edition was held.

STREET / FORM Exhibition British Journal of Photography

 


Athens Photo Festival 2019

Athens Photo Festival 2019

Photobook Exhibition | Benaki Museum Pireos138, Athen, Greece 13 June – 28 July 2019 Showing the book Signal & Noise

 

In recognition of the increasing importance of the role of the photobook in contemporary visual culture, Athens Photo Festival will present once again an exhibition dedicated to the form of book. The Festival features a selection of over 200+ new photobooks from all over the world, including photobooks independently or commercially published and distributed, handmade, self-published, book dummies, exhibition catalogues, zines and limited edition photography books, etc.

 


Oliver Krebs - Signal & Noise | 80x90 cm | 2015

GUEST-ROOM | John Fleetwood

From the book Signal & Noise | no title | C-Print | app. 60×90 cm | Paris 2014

 

GUEST-ROOM | John Fleetwood

“Perhaps I was looking for something that refuses to be photographed. I was only chasing shadows, perhaps”

Chasing Shadows’ by Santu Mofokeng

Der Greif Guest Room aims to spark collaborations. That’s why John Fleetwood is teaming up with Eric Gyamfi, a photographer based in Ghana in chosing the theme for this instalment. Eric Gyamfi has provided the following quote as the theme/subject.

 


Book Cover Signal & Noise

PHOTOBOOK FAVOURITES - Lynne Connolly

PHOTOBOOK FAVOURITES

 

By Lynne Connolly

The three opening images in Krebs book are clear signposts to an abstract way of viewing and interpreting the world. The viewer is invited to open their mind to the visual clues and signals that float through the images.  They are representations of Kreb’s worldview with space to linger and bring your own perspective.

The notion of a worldview underpins this work as Krebs draws on quotations and perspectives from a
scientific realm, including Humboldt, Darwin, and Faraday. This underpinning weaves through social observations that draw on the need to reflect as well as observe. In this sense the work combines street photography with a quiet perspective. The narrative here is about connections and the viewer is allowed to make their own, the work doesn’t shout its message but gives room to have a visual dialogue. The cool observation of science is set against the internal dialogue we might have with ourselves and a way of navigating in the world.

It is a timely and yet timeless book, conflict, identity, citizenship and changing of boundaries is in constant change across the globe. The impact of political decisions and sense of lack of control is everywhere. Signal & Noise gives us permission to step back from it all and rethink what we see and how we see it.

 

www.shutterhub.org.uk
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MEHR BERLIN - Tagesspiegel

MEHR BERLIN – Tagesspiegel

MEHR BERLIN | Christiane Meixner

Hoch auf die Zukunft. Oliver Krebs kam über die Kunst zur Fotografie, das merkt man seinen Motiven an. Obgleich es sich um klassische Street Photography handelt, die vom Zauber ungestellter Momente lebt und – idealerweise – ohne nachträgliche Bearbeitung auskommt, stellt sich bei Krebs nur selten dokumentarische Klarheit ein. Lieber fokussiert er Details, Strukturen oder Spiegelungen, die die konkrete Situation vieldeutig machen. So wie im Fall der Fotografie des Moskauer Fernsehturms, der mit seinen 540 Metern einmal das höchste Bauwerk der Welt war. Wie eine Rakete strebt das kühne Gebäude aus den sechziger Jahren empor, flankiert wird es vom Denkmal für die Eroberer des Weltraums–auch das ein Traum jener technikverliebten Ära, in der die Supermächte um ihre Vorherrschaft im Himmel buhlten. Die Zeit hat an jenen Visionen genagt: Der Fernsehturm hält bloß noch in Europa den Rekord, das sowjetische bemannte Mondprogramm wurde Ende der Sechziger eingestellt. Krebs scheint das Verstaubte jener Ideen wie eine ferne Erinnerung einzufangen.

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